SHADES OF NATURE - Grid Drawing
SEASON 7 | PROJECT 5/49 | 04.05.26
MODULE: Drawing | GRADE LEVELS: TK - 6 | DURATION: 1 Hour
ARTIST VIDEO
Video Editing by Jorge Davies, Graphics by Melissa Sabol
PROJECT VIDEO
OVERVIEW
In this collaborative drawing project, students recreate a large image by drawing one small section at a time. Inspired by Catherine Ruane, students learn to slow down, look closely, and draw what they actually see. Using graphite and charcoal, students focus on value, light, gray, and dark, to build form instead of outlining. By working on just one abstracted piece of the image, students begin to notice shapes, textures, and subtle details they might normally miss.
Each drawing may feel small on its own, but when combined, the class creates one large, connected artwork. Showing how individual effort can become something bigger.
WHY IT'S IMPORTANT
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Seeing Differently – Students learn to look beyond “what something is” and focus on shapes, value, and detail.
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Value Builds Form – Students discover how light and dark make drawings look real and three-dimensional.
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Small Parts, Big Picture – Breaking an image into pieces makes complex drawing more approachable and builds confidence.
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Collaboration & Belonging – Every student contributes to a shared artwork, reinforcing connection and teamwork.
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Focus & Patience – Careful observation and slow mark-making build attention and persistence.
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Beauty in the Everyday – Students begin to notice strength and beauty in overlooked plant life and ordinary spaces.
FEATURED ARTIST

CATHERINE RUANE
Catherine Ruane is an artist based in Morongo Valley, California. She creates detailed drawings of plants and trees growing in everyday places like sidewalks, roadsides, and parking lots. Her work is built through layers of graphite and charcoal, creating deep shadows, soft grays, and bright highlights. Ruane’s drawings explore ideas of resilience, persistence, and natural beauty. By focusing on plants in unexpected or overlooked urban spaces, she highlights how life adapts and thrives even in harsh or neglected environments. Her work encourages viewers to slow down, notice small details, and recognize the complex systems and networks that exist in the world around us. In this way, Ruane’s art becomes a meditation on observation, patience, and the hidden strength of everyday life.
ARTISTS TO KNOW

Vija Celmins
Vija Celmins is known for her incredibly detailed drawings of natural surfaces like ocean waves, night skies, and desert landscapes. She spends hours observing tiny details, capturing textures and subtle differences in light and dark. Students can learn from her patience and focus, seeing how careful observation turns even simple subjects into immersive, lifelike drawings.
Celmins, Vija. Ocean Surface Wood Engraving 2000. 2000–2001. Wood engraving on Zerkall paper, 20 3/4 × 17 1/4 in. Edition of 75, AP of 16. Published by the Grenfell Press, New York. Courtesy McKee Gallery, New York.

Tacita Dean
Tacita Dean is known for her poetic films and large-scale drawings that often focus on themes of time, chance, and the physical nature of materials. She frequently works with chalk on blackboards, erasing and redrawing as part of her process, which highlights impermanence and change. Her work shows how drawing can be both a record and an act of thinking.
Dean, Tacita. Inferno. 2019 (detail). Chalk on masonite, 242 × 1219 cm. Emanuel Hoffmann Foundation, on permanent loan to the Öffentliche Kunstsammlung Basel. Photo: Stephen White and Co. Courtesy the artist and Frith Street Gallery.

Robert Longo
Robert Longo creates large-scale charcoal drawings with striking contrast between dark and light. His dramatic, energetic mark-making brings movement and intensity to his subjects, from everyday objects to dynamic human figures. Longo’s bold and dynamic marks make drawings feel alive.
Longo, Robert. Medusa (Banyan Tree, Homage to J. Mitchell and J. Pollock). 2014. Charcoal on mounted paper, 90 × 123 3/4 in. (image: 97 1/8 × 130 7/8 × 4 9/16 in.), framed 228.6 × 314.3 cm. Pace Gallery, New York.

Emma Stibbon
Emma Stibbon creates large, atmospheric drawings inspired by landscapes shaped by natural forces like volcanoes, glaciers, and coastlines. Her work often captures the power and scale of the natural world through layered marks and subtle tonal shifts. Students can learn from her attention to environment and scale, exploring how drawing can convey both observation and the feeling of a place.
Stibbon, Emma. Hverir, Iceland. n.d. Ink and volcanic dust, 130 × 183 cm.
VOCABULARY
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Blend – to smoothly mix values together
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Charcoal – a soft, dark drawing material that makes rich blacks
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Contrast – the difference between light and dark areas
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Form – making something look 3D using light and dark
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Graphite – a smooth drawing material used in pencils
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Highlight – the lightest area where light hits
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Midtone – a value between light and dark
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Observation – looking closely to notice small details
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Shadow – the darkest area where light is blocked
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Texture – how something looks like it feels
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Value – how light or dark something is